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Statement

The principal focus of my work is how we use technology to make and distribute images of the world around us. I use printmaking to make concrete what are often incomplete, very precarious low definition 'technical' images and to explore questions concerning technologically failed vision or obstructed seeing whereby the more immediate images become the less there is to see.

 

Art Education 

 1979 to 1982 - Wimbledon School of Art, BA (Hons) Fine Art 

 2011 to 2013 - Camberwell School of Art, MA Visual Arts (Printmaking) 

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 Group Shows 

 2012 - Future Outlook of Printmaking, Gallery Fluer, Kyoto Seika University, It's A   Small World, Core@Nolias   

            Gallery, London 

 2013 - EMIT, New Gallery, London, MA Show, Camberwell School of Art 

 2014 - International Print Biennale, Newcastle, East Sussex Open, Towner Gallery,   Eastbourne, Jealous Graduate   

            Winners, Saatchi Gallery, London, NeoArtists Print Prize, Bolton

2015 - Wild Life, The Street Gallery, London

2017 - Brighton Print Fair

2018 - Woolwich Print Fair

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Solo Shows

2015 - The Contingent Image, Gallery 27, Bolton

2016 - A Psychology of Indirect Surveillance, Exhibit Gallery, London

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Awards

2013 - Jealous Print Graduate Prize

2015 - NeoArtists Print Residency, Bolton

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